Here’s the scene New Jersey is shooting right now: soundstages rising out of old industrial bones, tax credits flowing like it’s 1999, and a nickname — “Hollywood East” — that the state has decided to wear with a straight face. The wild part is, the hype is mostly real. The frustrating part, if you’re sitting where I’m sitting in Woodbury, is where the cameras are pointed.

By the numbers

Let’s run the numbers, because they’re genuinely impressive. The CBRE 2026 Tri-State Film and Television Report pegs regional production at 47 percent above pre-strike levels on a rolling basis — the area has quietly become a leader in the post-strike recovery. Three of four big studio construction projects are underway on New Jersey soil: Netflix at Fort Monmouth and Lionsgate in Newark, both targeting 2027, and 1888 Studios in Bayonne in 2028. The report counts roughly 52,000 film professionals across the region. And the money behind it is staggering — a tax-credit program relaunched in 2018 and now extended all the way to 2049, with a $430 million annual cap, and transferable credits of up to 40 percent for studio partners who commit to big facilities here. Combined with New York, the incentives top $1.2 billion. That’s not a hobby. That’s an industrial policy with a craft-services table.

It isn’t all smooth takes, either. Earlier this month, Jon Crowley was abruptly terminated as head of the New Jersey Motion Picture and Television Commission — a leadership shakeup that landed, awkwardly, right as production climbs. When a state is winning, you don’t usually fire the person holding the clapperboard. There’s a story in there somebody should chase.

All roads lead north

But here’s my beef, and I’ll say it plainly: Fort Monmouth is Monmouth County. Newark is Newark. Bayonne is about as far from Gloucester County as you can get and still be in the same state. The soundstages, the jobs, the permanent infrastructure — it’s all going north. South Jersey, once again, is the part of the movie that gets filmed on location for three days and then everybody drives back up the Turnpike.

That’s not a hobby. That’s an industrial policy with a craft-services table.Vinny Vinci

And it makes me a little crazy, because we’ve got the goods. We’ve got a shoreline that can double for anywhere from the Carolinas to Cape Cod. We’ve got Victorian Cape May, which looks like a period piece that forgot to end. We’ve got Camden’s waterfront, historic Haddonfield, Pine Barrens that have spooked people since before “The Last Broadcast” put Jersey horror on the map. What we don’t have is a reason for a production to stay, spend, and hire down here instead of busing a crew in and out.

I’m not asking South Jersey to out-Bayonne Bayonne. I’m asking whether, in a $1.2 billion boom with a program that runs to 2049, this corner of the state is going to fight for a seat or keep clapping politely from the lobby. Because the credits are rolling on “Hollywood East” whether we’re in the shot or not.

So this weekend, while the leaves do their thing and the streaming queue fills up with stuff that was probably shot ninety minutes north of here, ask yourself a Jersey question: if the movie business is finally ours, where’s our scene?

Based on reporting from Jersey Digs (CBRE 2026 Tri-State Film and Television Report), ROI-NJ, and Hoodline.

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